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Światy Mobilneura

[{"id":19155,"date":"2024-12-04T15:22:13","date_gmt":"2024-12-04T15:22:13","guid":{"rendered":"https:\/\/atlassztuki.pl\/?p=19155"},"modified":"2024-12-05T15:41:21","modified_gmt":"2024-12-05T15:41:21","slug":"from-time-to-time-thoughtfully-preferably-at-the-start-of-a-weekend-its-worth-getting-up-on-a-ladder","status":"publish","type":"post","link":"https:\/\/atlassztuki.pl\/from-time-to-time-thoughtfully-preferably-at-the-start-of-a-weekend-its-worth-getting-up-on-a-ladder\/","title":{"rendered":"From time to time (thoughtfully, preferably at the start of a weekend) it’s worth getting up on a ladder"},"content":{"rendered":"\n

Even more than for conversation, we need delusions that can be turned into an image, into a possibly simple, intuitively usable object or tool. Of course, both colour and tools can be brought on a ladder. But it might not be that simple. Especially if you want to climb the ladder engraved by D\u00fcrer \u2013 at the very beginning you have to do some exaggerated bending, crossing highly irregular, useless blocks in order to get your foot on the first rung. <\/p>\n\n\n\n

Professor Kazimierz D\u0105browski has aptly described what can happen in the next moment.<\/p>\n\n\n\n

\u201eLet us now turn to the question of transcending one’s own mental type. Is such a transcendence even possible? We may think that not only is it possible, but that it is even a necessary developmental imperative, a necessary imperative to transcend psychic one-sidedness. To transcend the limitation of life attitudes. It is a mechanism for authentic understanding with oneself and with others, a basis for interdisciplinary and intra-disciplinary thinking. The uptight guy, the developmental type, which does not have the possibility of transcending, even partially, certain psychic qualities, will act in a schematic, automatic way\u201d. <\/p>\n\n\n\n

(quoted in K. Dabrowski, Positive Disintegration<\/em>, Warsaw 2021, second edition, p. 102).<\/p>\n\n\n\n

Don’t be those \u201euptight guys\u201d and believe, that this is a simple instruction for using the old D\u00fcrer ladder. Fine, it is not as clear as the Ikea instructions, but it may be used. Confidence in the author is built by such risky (from a technical point of view) phrases as \u201eWe may think\u2026\u201d. We still keep thinking! To compensate, we like to think of ourselves as efficient mechanisms. Such thinking, at least since the mid-19th century, has paved the way for technology and engineering, which are happy to play the role of redeeming force in the global marketplace of unlimited possibilities. <\/p>\n\n\n\n

Dabrowski’s use of auth\u00e9nt\u0113s\/\u03b1\u1f50\u03b8\u03ad\u03bd\u03c4\u03b7\u03c2<\/em> (\u1f41 \u03b1\u1f50\u03b8\u03ad\u03bd\u03c4\u03b7\u03c2<\/em> \u2013 a maker, a creator \u2013 one who does something with his own hands (and feet), does it by his own strength and will) and authomatos\/\u03b1\u1f50\u03c4\u03cc\u03bc\u03b1\u03c4\u03bf\u00e7<\/em> (spontaneous, unplanned, accidental); Aristotle used this word when he wanted to make a clear distinction between the accidental kind of action and that which happens by free will, as \u1f00\u03c0\u03cc \u03c4\u03ad\u03c7\u03bd\u00e7<\/em> i. e. according to the rules of the art.\u00a0<\/p>\n\n\n\n

There is no need to go too deeply into a given subject, because then it is very easy to take a nose-dive, from any level. And we want to get out of the news feed efficiently, without too much effort, \u201eautomatically\u201d, in order to climb somewhere higher, where (surely, as Plato suggests) it is \u201eclearer\u201d and perhaps \u201ebetter\u201d.<\/p>\n\n\n\n

The old, forgotten meaning of automaticity (automaton<\/em>) as a random, unpredictable, alien force, opposed to our will and intentions (realised through artistry\/art\/ars\/\u03c4\u03ad\u03c7\u03bd\u03b7), might serve us well in the face of the widely proclaimed imminent era of AI and machine learning domination. <\/p>\n\n\n\n

Instead of falling into sadness and melancholy over such \u2013 specialised \u2013 predictions, try every day to boldly transcend the ostentatiously irregular. Even the irregular and \u201eillogical\u201d, like the clumsy lump in D\u00fcrer’s engraving, climb the slightly paradoxical ladder based on the edge of the frame.<\/p>\n\n\n\n

Everything can be clarified, arranged in the next frame, in the moment when your head is already out of the here and now (hic et nunc<\/em>). <\/p>\n\n\n\n

Ladders, bridges, tools, mechanisms that allow us to transcend what limits us can be simple and yet effective. You just have to be willing to climb them with your own strength. <\/p>\n\n\n\n

Is it worth it? Does it get scary?<\/p>\n\n\n\n

Let us conclude by quoting a sentence from Richard Shusterman’s Aesthetic Experience and the Power of Possession<\/em>, to lend credence to the usefulness of our efforts: \u201eThe atmosphere of a bright sunny day by the sea may produce an experiential mood or a feeling of contentment, but for the aesthetic experience of appreciating the beauty of a seascape bathed in sunlight to occur, it is necessary for the subject to become consciously aware of appreciating that beauty\u201d (Krakow 2023).<\/p>\n\n\n\n

Are you ready? Do we start automatically or authentically?<\/p>\n\n\n\n

What matters that we are on the ladder!<\/p>\n\n\n\n

What matters that with mobilneur.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Z racji centralnego ukszta\u0142towania ciek\u00f3w gruntowo-finansowych na polskiej piaszczystej, ch\u0142onnej glebie (tak\u017ce z powodu tego fatalnego rozszczepienia w\u0142asnej to\u017csamo\u015bci Ba\u0142uty semper contra<\/em> Widzew) my\u015blicie, \u017ce to zbyt trywializuj\u0105ce uj\u0119cie kultury \u201ewysokiej\u201d? Mylicie si\u0119, wiele starannych, z powa\u017cnych grant\u00f3w finansowanych bada\u0144 nad kultur\u0105 ujawnia zaskakuj\u0105co silny zwi\u0105zek mi\u0119dzy tym, co elitarne, intelektualne i rozgadane a tym, co egalitarne, emocjonalne i raczej milcz\u0105ce. <\/p>\n\n\n\n

Muzea Sztuki to gra zespo\u0142owa wymagaj\u0105ca wybitnych fachowc\u00f3w prawie tak samo, jak w przypadku profesjonalnej pi\u0142ki kopanej. Niby lekko ludyczny, zrytualizowany, przewidywalny spektakl, a w tle, za zas\u0142on\u0105 szatni i ekspozycji powa\u017cna gra interes\u00f3w, spore pieni\u0105dze, jeszcze wi\u0119ksze ambicje, \u017cadnych \u017cart\u00f3w. Muzea Sztuki (nawet nowoczesnej) to wdzi\u0119czny, wpadaj\u0105cy w oko atrybut dla korzystnego wizerunku Miasta. <\/em>Z jakiego\u015b niejasnego powodu w Europie na alegorie miast w zamy\u015bleniu, od niechcenia bawi\u0105ce si\u0119 tak\u0105 muzealn\u0105 b\u0142yskotk\u0105 wci\u0105\u017c patrzymy cieplej, ch\u0119tniej. <\/p>\n\n\n\n

Muzeum warszawskie wypi\u0119trzy\u0142o si\u0119, wyistoczy\u0142o ze \u015brodowiska Fundacji Galerii Foksal. Troch\u0119 podobnie jak Fundacja ukszta\u0142towa\u0142a si\u0119 z samej Galerii Foksal na prze\u0142omie XX i XXI w. To s\u0105 informacje podobnie interesuj\u0105ce jak statystyka rzut\u00f3w ro\u017cnych w zestawieniu z ilo\u015bci\u0105 g\u0142\u00f3wek. Maniacy dyscypliny, statystycy i kronikarze sportu to wiedz\u0105, dla reszty to jednak nudy. Liczy si\u0119 jako\u015b\u0107 spektaklu.<\/p>\n\n\n\n

Na grafice od lewej: Kim Gordon (2024 r.), Julian Przybo\u015b, W\u0142adys\u0142aw Strzemi\u0144ski, Katarzyna Kobro (ok. 1930 r.)<\/p>\n","protected":false},"excerpt":{"rendered":"

W kulturze zdominowanej przez technologi\u0119 alienacja staje si\u0119 dyskretnym, neutralnym makija\u017cem na doskonale oboj\u0119tnej twarzy.<\/p>\n\n\n\n

Te dwie postacie na przedstawionym zdj\u0119ciu \u0142\u0105czy dwuno\u017cno\u015b\u0107, wiek i praca dla jednej agencji reklamowej. <\/p>\n\n\n\n

Nas jest du\u017co wi\u0119cej. Przynajmniej chcemy tak my\u015ble\u0107 \u201eo sobie”. Zar\u00f3wno ich, jak i nas \u0142\u0105czy po wielokro\u0107 wi\u0119cej, ni\u017c nam si\u0119 zdaje. Tak m\u00f3wi\u0105 niepoprawni optymi\u015bci. Potrzebujemy takiego m\u00f3wienia, potrzebujemy ka\u017cdego, komu intuicja szepcze, \u017ce uda si\u0119 nam pospina\u0107 i porozpina\u0107 sieci powi\u0105za\u0144 mi\u0119dzy nami, tak by nasz wzrok nie gubi\u0142 si\u0119 w nich, by dociera\u0142 do innych oczu.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eM\u0142oda kobieta z ustami otwartymi, ubrana w str\u00f3j mieni\u0105cy si\u0119 barwami; <\/p>\n\n\n\n

jej suknia wyszywana jest w figury Cykad i j\u0119zyk\u00f3w, <\/p>\n\n\n\n